Masterchef the professionals series 9 episode 10
#Masterchef the professionals series 9 episode 10 professional
Skills test (Series 2 onwards): The professional judges demonstrate the preparation of a specific dish, or the preparation of an ingredient.The three remaining chefs then participate in the quarter final at the end of that week.
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Below is a synopsis of a typical series:Įach heat week begins with six chefs.
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There are four weeks of "heats" (the final show of each week being a quarter final), a "knockout" week, a semi-final week and a finals week. Typically, the show runs for seven weeks and twenty-five episodes transmitted from early November until Christmas, although the precise number of shows per week, number of contestants, the running order and nature of the challenges and the number of chefs eliminated at each round has varied from series to series. In 2014, Roux Jr left the show due to "a conflict in commercial interests". Since 2011, Sean Pertwee has taken over Fisher's role as voiceover. Michel Roux Jr., a two-Michelin-star chef, assisted, from 2009, by his sous-chef Monica Galetti. Introduced in 2008, Gregg Wallace and India Fisher reprised their roles as co-judge and voiceover respectively. It is a spin-off from the main MasterChef series, for professional working chefs. That, and the wondrous sight of Gregg Wallace unshackled from self-control and John Torode.MasterChef: The Professionals is a BBC television competitive cooking show which aired on BBC Two from 2008 to 2019, and on BBC One since 2020. To be a contestant, you have to be prepared to lose a lot, and that’s what makes the show so good. MasterChef: The Professionals is incredibly difficult to win, there is no prize at the end and your entire identity is likely to be shattered by your heroes. No one is quite sure how Gregg came to be on the show, but without him it would be missing a key ingredient. Another chef describes his hazelnut, chocolate and caramel pudding and Gregg emits the excited squeak of a climaxing rodent. A chef forgets to hammer the meat for a steak diane and Gregg instantly looks as if he might vomit. Because of this, all of his emotions find immediate expression on his face or escape out of his mouth. You don’t get the impression that there’s much of an inner voice and, if there is, it’s just the Only Fools and Horses theme tune on loop. Now, let me say right now that I love Gregg but, with all respect to him, he doesn’t seem a particularly complex man. That sharp edge might be too much to bear if it weren’t for the unique presence of Gregg Wallace. That forensic analysis of skill and the uncompromising standards the contestants invariably fail to attain make it the perfect antidote to those infantilised reality shows where you get feted for sitting on a sofa beside Lionel Blair for two weeks. There’s nothing else like it on television. It’s almost sociopathic and if you can stand to watch it, you won’t be able to tear your eyes away. To tell someone who cooks for a living that they can’t cook is probably enough to make them not want to go on living.Ī setup that induces a state of shaking nervousness … Marcus Wareing, Gregg Wallace and Monica Galetti scrutinise every knife flick of the contestants. So when Monica tells a head chef from Northern Ireland that “you clearly didn’t know what you were doing”, you can see on the poor man’s face how much it hurts. There are no ridiculous zingers, just serious criticism. It’s not that what they say is particularly rude – although Marcus did once describe someone’s wild garlic velouté as “probably the most tasteless plate of food I’ve tasted”. Because of this, almost everyone does terribly and chefs with decades of experience forget that a hollandaise sauce isn’t supposed to look like scrambled egg. It’s a setup that induces a state of shaking nervousness – and it’s quite tricky to chop a shallot when your hands are trembling.
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This is where the chefs, without prior warning, have to cook anything from ceviche to banoffee cheesecake while Marcus Wareing, Monica Galetti and Gregg Wallace scrutinise their every knife flick. The horrible reality of this becomes wonderfully apparent in the very first challenge they have to face – the skills test.
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But on MasterChef: The Professionals the drama is real and terrifying because the contestants aren’t just being judged on their cooking, but their entire livelihood. Likewise, the contestants on The Great British Bake Off are just cuddly amateurs and the only thing they really have to lose is the will to live after the eighth take of a clunky innuendo. The competitors on The Apprentice, for instance, aren’t real businessmen and women. There is nothing that will do lasting damage. Yes, you might have to eat the odd koala anus, but that’s about as bad as the jeopardy gets. O n most reality shows the stakes aren’t very high.